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How Nonprofits & Design Firms Collaborate to Change the World

Nonprofits bring passion, dedication, and expertise to the often complex problems they are trying to solve. Design firms bring a similar passion, dedication, and expertise to the work of designing experiences. While the specifics of what we do and the way we do it may be different, at our cores nonprofits and design firms share similar values and a commitment to the greater good.

What makes being part of a firm that works with nonprofits so rewarding is that every day I have the opportunity to collaborate with and learn from experts in different fields who are hard at work addressing some of the world’s greatest challenges. It’s like earning a post-graduate degree in “How the World Works.” Even better, I get to take this continuous learning and apply the skills I’ve acquired over the course of my career to collaborate on meaningful work that helps nonprofits makes a difference.

For those with whom we collaborate, a firm like ours offers an equally deep reservoir of expertise — expertise that can help them turn their missions, research, and programs into brand experiences that connect people to big ideas — and each other. We also bring a fresh set of eyes and ears, providing a valuable outside perspective on how effectively an organization’s messaging resonates with its target audiences.

A Shared Mission & Vision

If there’s one thing I’ve learned over the years, it’s that the key to a successful partnership between a client and a design firm is that both parties must engage in the spirit of active listening and share a commitment to both learn from, and educate, each other. Whether we’re working with nonprofit clients who are well versed in the principles of design or relative novices, the best partnerships hinge on whether, and how much, everyone is committed to establishing a relationship based on trust, respect, and a shared vision. You simply cannot produce effective work without it. What’s also needed is a commitment to always doing what’s best for the work — which means a willingness to challenge the ideas of others, to have your own ideas challenged, and to check assumptions and preconceived notions at the door.

So, What is Cause-Driven Design?

Before I answer the question “What is cause-driven design?”, I want to touch on a more fundamental one: “What is design?” The definition I’ve adopted, brought to my attention by branding expert Marty Neumeier, comes from Herbert Simon, a Nobel-Prize winning political scientist, economist, and sociologist:

Everyone designs who devises courses of action aimed at changing existing situations into preferred ones.

So, when we think of design, we must first recognize that pretty much everyone — and not just “creative people” — designs in one way or another. Nonprofit organizations, committed to creating positive change in the world, are continuously engaged in the act of design.

Second, when we “design,” we’re not necessarily creating actual things (like websites or annual reports). Moreover, whatever it is we are creating, it almost always involves a complex, interdisciplinary system of ideas, actions, and messaging that, with a lot of hard work and a little luck, will alter a situation from what it is to what we’d like it to be.

Organizational planning? Design. Copywriting? Design. Software development? Design. That workaround you used to fix your leaky faucet until the plumber showed up? You get the point.

Design, as every good designer knows, is nothing without context. And context, to be meaningful, requires us to look at things from a whole bunch of perspectives, then thinking them through before we sit down to “design” that report cover, tagline, data visualization, or website. To borrow an analogy from the medical field, we’ve got to diagnose the situation before we can prescribe a course of treatment.

So what is cause-driven design? As its name implies, it is a process whose central organizing principle has to do with more effectively engaging and educating audiences on and about issues, connecting them to causes they care about, and delivering more meaningful brand experiences that help advance a mission and lead to greater impact (however an organization defines “impact”). Whether the nonprofit in question operates on the front lines of an urgent social issue or works more quietly behind the scenes, it is about understanding the context in which the really important questions are formulated, then aligning every messaging effort to explain why the answers to the questions are important.

At its best, cause-driven design cuts through the clutter of our busy lives, calms our over-stimulated brains, and helps to organize the plethora of choices we all face, every day. It unites strategy, content, design, and technology in ways that enables your nonprofit to more effectively engage with its principal audiences and speak more meaningfully to their deeper needs, goals, and motivations. It’s bigger than the brand, it’s bigger than design; it’s the mission or cause we’re driven to take up.

About the Author

Matthew Schwartz

Matthew Schwartz

Matt partners with Constructive’s clients and teams to make sure that we stay focused on what matters, and that both our partnerships and the work we produce meets our shared expectations and the highest standards. With 27 years of experience as a designer, brand strategist, and writer for the social impact sector, Matt helps Constructive’s teams create processes and practices that create brand value for nonprofits and social impact businesses—elevating how mission and purpose are translated into brand-aligned strategy, messaging, and designed experiences.

 

Matt contributes to the field of nonprofit design, serving on the Leadership Team for the NY chapter of The Communications Network, writing, speaking, mentoring, and conducting workshops. His work has been recognized for excellence by numerous organizations such as The Webbys, Communication Arts, Print Magazine, The Case Awards, Graphic Design USA, The W3 Awards, The Communicator Awards, and others. Matt earned his BA from Sarah Lawrence College in Writing & Visual Studies, and then conducted post-graduate design studies at the School of Visual Arts, Rhode Island School of Design, and Parsons.

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